Vid Ingelevics

2006 Platform, Stephen Bulger Gallery, Toronto + video screening, En attendant Godard2004 Platform, public art installation, Museum subway station, Toronto
(commissioned by Contact Photography Festival)2001 Project Photographs, Stephen Bulger Gallery, Toronto.
2000 Bathurst St., Koffler Gallery, Toronto.
1999 7:1, Toronto City Hall, Toronto.
1996 Alltagsgeschichten (some histories of everyday life), Gallery TPW,Toronto
+ catalogue with essays by ModrisEksteins, BlakeFitzpatrick
1994 Artifacts, National Museum of Photography, Riga, Latvia.
1992 Your World©, OO Gallery, Halifax.
1991 Places of Repose: Stories of Displacement, Kulturni in kongresni center, Ljubljana, Slovenia.
1988 museum of a man, Photographers Gallery, Saskatoon.
museum of a man, Anna Leonowens Gallery, Halifax.
1987 museum of a man, Gallery TPW, Toronto.

SELECTED RECENT TWO & THREE PERSON EXHIBITIONS

2004 Reunification Proceeds, Goethe Institute, Toronto, with Blake Fitzpatrick2003 Codicologie(s), Gallery 44, Toronto, with Patrick Altman (publication)2002 Mémoire morte, mémoire vive, Dazibao, Montréal, with Eric Cameron, Vik Muniz
2001 Codicologie(s), Le Vertige de L'Evidence, collaboration with Patrick Altman, VU, Quebec City (catalogue)
2000 Retraced Histories, with Ernie Kroeger, Wendy Oberlander, Artspace, Peterborough (publication)
Nature Canada, with Cheryl Simon, Cheryl Sourkes, Art Gallery of Hamilton, Hamilton
(publication & accompanying web site)

2006

The Space of Making, Stadtisches Galerie Waldkraiburg (catalogue)

                Faking Death, Jack Shainman Gallery, New York

Random Thought Generator, Accolade West Gallery, York University 2005 The Space of Making

, Neuer Berliner Kunstverein, Berlin; Stadtisches Museum Zwickau; 

        Kunstmuseum Heidenheim

(catalogue)2003Out-takes, Allen Lambert Galleria, BCE Place, Toronto, Globe & Mail2002

Secret, Leonard & Bina Ellen Art Gallery, Concordia University, Montréal

        Roundabout, Harbourfront Centre, Toronto

2001Substitute City, Power Plant, TorontoLe Vertige de l'Evidence, Gallery VU, Quebec City (catalogue)2000Photography and Engagement, Foto Biënnale Rotterdam,
Nederlands Foto Instituut, Rotterdam
Archival Revival, Art System Gallery, Toronto
1999 Internet Forum (link to 7:1 web site), Le Mois de la Photo à Montréal, Montréal.
Just the Facts? Contemporary Documentary Approaches, Canadian Museum of
Contemporary Photography, Ottawa.
In Visible Light: Photography & Classification in Art, Science and the Everyday,
Finnish Museum of Photography, Helsinki (catalogue)
Still Life, Case Studies series, Harbourfront, Toronto.
Election Blues, Artspace, Peterborough
1998 In Visible Light: Photography and Classification in Art, Science and the Everyday,
Moderna Museet, Stockhom, Sweden. International tour with catalogue.
1997 In Visible Light: Photography and Classification in Art, Science and the Everyday,
Museum of Modern Art, Oxford, England. International tour with catalogue.
Here's Looking at Me, Kid, Art Gallery of North York.
Blue, The Stephen Bulger Gallery, Toronto.
1994 Alliances, Canadian Musuem of Contemporary Photography, Ottawa (touring nationally).
Real Stories: revisions in documentary and narrative, Museum Folkwang, Essen, Germany.
1993 Real Stories: revisions in documentary and narrative, Aineen Taidemuseo,
Tornio, Finland.
Real Stories: revisions in documentary and narrative, Fotomuseum Winterthur,
Winterthur/Zürich, Switzerland.
1992 Real Stories: revisions in documentary and narrative, Norrköpping Konstmuseum,
Norrköping, Sweden.
Real Stories: revisions in documentary and narrative, Museet for Fotokunst,
Odense, Denmark.
1991 La mémoire, Le Mois de la Photo, Montréal.
Message: Sent and Received, Saw Gallery, Ottawa.
1990 Oppositions: commitment in cultural and political identity in
contemporary photography, Fotografie Biënnale Rotterdam, Rotterdam, Holland.

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2004 Attention: Mr. Inglewick, artist's page work, Descant 124, Spring 2004, Vol. 35, No.1 2002The Archaeology of Geology, Artist's project, Canadian Art magazine, Winter 2002. 1998-1999 After the Sprawl? Suburban pasts and futures, Toronto Archives, Toronto.
1996 Virtual Metropolis, work included in CD-ROM project, Toronto.
1991 Crystal Palaces: a short history of Toronto, project with the Glass Orchestra
and dancer/choreographer Claudia Moore, Dancemakers Studio, Toronto, March, 1991.
1989 The Museum as Artifact: Photographing the Past, artists' project for MUSE magazine
(Canadian Museums Association) with Robert Bean, Blake Fitzpatrick, Winter 1989.

2005 The Damage Done, Prefix Institute of Contemporary Art, Toronto 2004

Camera Obscured: Photographic Documentation and the Public Museum, Sprengel Museum, 

        Hannover, Germany

Dig/Dug, Koffler Gallery, Toronto (publication)2002Industrial Strength, public art project at Wychwood Carbarns, Toronto2000Gift Shop, commisioned and shown at the Winnipeg Art Gallery (publication)
1997 -

2000 Camera Obscured: Photographic Documentation and the Public Museum,

Commisioned and first shown at Photographer's Gallery, London, England (publication planned);
touring to: Bildmuseet, Umea University, Umeå, Sweden; Gallery TPW, Toronto;
Presentation House, Vancouver; Art Gallery of Mount St. Vincent University, Halifax;
Musée d'Art de Joliette, Joliette; Winnipeg Art Gallery, Winnipeg.
1995 Inferno: Surveyed, exhibition co-curated with Carol Pickering, Marsha Wineman,
Kil-Young Yoo, and Ian Smith-Rubenzahl for the Toronto Photographers Workshop, Toronto.
1994 Bodies of Photographs, exhibition co-curated with Carol Pickering for the Toronto
Photographers Workshop, Toronto. Includes essays by curators.
1991-1994 Latvian Photographers in the Age of Glasnost, national touring exhibition and
catalogue co-ordinated with Toronto Photographers Workshop, Toronto.
1990 L'Année de l'Est, photography from Latvia, Musée de l'Elysée,
Lausanne, Switzerland and Amsterdam, Holland

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2006 Visiting Artist: Visual Art and Architecture programmes, University of LethbridgePanelist: Towards a New Pluralism, Perspectives on Research in Canadian Art, Society for Photographic Educators conference, Chicago Panelist: Explorations in Time Travel: Fiona Tan and the Archival Image, Art Gallery of York University2005 Panelist: Big Talk symposium on pedagogy, Ontario College of Art and DesignVisiting Artist: Museum Studies colloquium, University of Toronto Talking Pictures: the work of Douglas Clark, Art Gallery of Ontario2004 Museum & Curatorial Studies, Brock University, St. Catherines; Presentation and panel: Art Gallery of Ontario, Jackman Hall, Contact Photography Festival, Toronto; Sprengel Museum, Hanover, Germany2003Panelist: Quebec/Ontario: New Forms, New Works, Ryerson Polytechnical University, Toronto2002Symposium panelist: The Photographic Archive from Digital to Virtual, Nederlands Foto Instituut, Rotterdam;Panelist: Convergence: Strategies and Influences, ARCCO, Congress Centre, Ottawa;Visiting Artist, University of Guelph, Fine Art Program, Guelph2001The Archival Turn: Photography, Museums, Archives, College Art Association, Chicago; Presentation: on Candida Höfer's exhibition, The Power Plant, Toronto2000University of Toronto, Museum Studies Colloquium, Toronto; Winnipeg Art Gallery, Winnipeg; The Koffler Gallery, Toronto; Symposium panelist: Foto Biënalle Rotterdam, Nederlands Foto Instituut, Rotterdam; Panelist: Lying to Tell the Truth, Gallery 44, Toronto;Redpath Museum, Montreal; Ryerson Polytechnical University, Toronto; London Regional Art & Historical Museum, London1999 Testimony and Historical Memory Seminar Series, Ontario Institute
for Studies in Education, Toronto;
Canadian Museum of Contemporary Photography, Ottawa;
Art Gallery of Mount Saint Vincent University, Halifax;
Emily Carr Institute of Art & Design, Vancouver;
Presentation House, Vancouver.
1998 Gallery TPW, Toronto;
Bildmuseet, Umeå Universitet, Umeå, Sweden;
Art School of Umeå Universitet, Umeå, Sweden;
Panel: Approaching Documentary, CONTACT '98, Ryerson Polytechnical University,
Toronto; Photography Dept., Ryerson Polytechnical University, Toronto.
1997 Photography Dept., Ryerson Polytechnical University, Toronto.
1996 Gallery TPW, Toronto.
1995 Thomas Struth's Museum Photographs, Art Gallery of Ontario, Toronto.
1994 Latvian National Museum of Photography, Riga, Latvia;
University of Toronto, Museum Studies Colloquium, Toronto.
1993 Concordia University, Montréal;
School of the Art Institute of Chicago, Chicago, USA;
Fotomuseum Winterthur/Zürich, Switzerland.
1992 Museet for Fotokunst, Odense, Denmark;
Art Gallery at Mount Saint Vincent University, Halifax;
Panel: Issues of the Public and Private in Photography, Nova Scotia College of
Art and Design, Halifax.
1991 Gallery TPW, Toronto;
La Maison de la Culture Mercier, Montréal;
Nova Scotia College of Art and Design, Halifax.
1990 Sheridan College, Oakville.

2006 Gary Michael Dault, "So many platforms, so little meaning," Globe & Mail, Feb. 25
2005 Ulrich Clewing, “Rückruf der Wildnis”, Der Tagesspiegel, Berlin, Feb. 3
2004 Gary Michael Dault, “Picking up a few mega-souvenirs of tyranny”, Globe & Mail, Oct. 2
Robert Fulford, “Where you least expect them”, National Post, May 18
Deborah Root , “Archaeologies of the Modern”, Contact Photography Festival catalogue
R. M. Vaughan, “How to avoid Contact over-exposure”, Globe & Mail, May 1
2003 Thomas Hirschmann, Dig/Dug exhibition, critic’s picks, NOW Summer Guide
Andrea Raymond, “Dig/Dug artists link community with BJCC”, North York Mirror, Aug. 24
Penny Cousineau-Levine, Faking Death, McGill-Queen’s University Press
Peter Goddard, “Vid Ingelevics has colourful eye for archival photography”, Toronto Star, March 8
Thomas Hirschmann, “Code Ready”, review, Now, Toronto, Issue 1102, Vol. 22, No. 26
Lisanne Nadeau, “Codicologie(s)”, publication essay, Gallery 44, Toronto
2002 Marie-Ève Charron, “Des révélations équivoques”, Le Devoir, Montreal, Oct. 19-20
Elizabeth Legge,” Between art and Art”, essay, CV Photo 59
2001 Gary Michael Dault, Expositions, review, CV Photo 55
David Cantin, “Capter l’attention’, Le Devoir, Montreal, Oct. 23
Dany Quine, “Double nature de la photographie”, Le Soleil, Québec, Oct. 13
Gary Michael Dault, “Snapshots of culture and history”, Globe and Mail, Toronto, June 30
Andy Fabo, “Unravelling the grid/ Substitute City at the Power Plant”, C magazine, #70, Summer 2001
Peter Goddard, “Pictures as history”, Toronto Star, June 14
Lisa Rochon, “The good, the bad and the ugly”, Globe and Mail, April 4
John Sewell, “Is Toronto burning?”, eye, April 4
2000  Peter Tiefenbach, The Arts Today, interview, CBC Radio One, Dec. 12
Jeff Rosnick, “Ornithologies”, View, Hamilton, Nov. 16-22
Sigrid Dahle, “Exhibitions deliver new perspectives on photos, museums”, Winnipeg Free Press, Wpg., Oct. 28
Gary Michael Dault, 'Ingelevics camera takes it to the street', Globe and Mail, Toronto, August 5
Bernard LaMarche, “Le Musée defié”, Le Devoir, Montreal, July 2
Bronwyn Chester, "Redpath is perfect venue for quirky show", The Gazette, Montreal, June 17
Bronwyn Chester, “Museums under the spotlight”, McGill Reporter, Vol. 32, No. 17
Frits Gierstberg, "Positions, Attitudes, Actions", catalogue essay, Foto Biënnale Rotterdam 2000
A. D. Coleman, "Letter from Toronto/New York No. 86", photo metro, Vol.18, No. 157
Robert Graham, "Le Mois de la Photo à Montréal 1999", Muse, Vol. XVII, No. 4
1999  Molly Amoli K. Shinhat, "A matter of fact", Ottawa X Press,, Ottawa, Sept. 30
Stéphane Baillargeon, “Le Musée des Musées”, Le Devoir, Montreal, Sept. 19
Jenny Green, "Contemporary Documentary", CBO Morning, CBO-FM, Ottawa, Sept. 24
Andrea Kunard, "Just the Facts? Contemporary Documentary Approaches", essay from catalogue for
Le Mois de la Photo à Montréal, 1999
Dot Tuer , “The Camera and the Museum”, Canadian Art, Vol. 16, (1)
Lisa Mark, “Recurring Images: Historical Photographs as Contemporary Art,” C’, No. 61
Michael Becker, “Museum cameras unveil”, North Shore News, Jan. 11
Mark Smith, “Truth on a pedestal”, Vancouver Sun (Queue), Jan. 7-14
Paul Grant, Arts Report, Radio 2, CBC, Vancouver, Jan 19

PUBLISHED WRITINGS

2005 The Damage Done, essay, Prefix Photo 11, Spring 2005
The Metropolitan Museum of Edward Milla, essay/pagework, Image and Inscription, Gallery 44/YYZ, Toronto
The Atlas Group and Walid Ra'ad, review, CV (ciel variable) 66, May 2005
2004 Teach, Learn and Warn, article, Sketch, Ontario College of Art & Design, Fall 2004
Attention: Mr. Ingelwick, essay, Descant 124, Vol. 35, No. 1
Guarded Views, Uniform at the Art Gallery of Ontario, exhibition review, Fuse Vol. 27, No.2
2003 The Desirability of Irrelevant Accessories, catalogue essay on Remi Pierlot, Ontario College of Art & Design, Toronto.
The Museum's Shadow, essay, The Photograph and the Document, Praemium Erasmianum Foundation, Holland.
2002 The Archaeology of Geology, artist's project, Canadian Art, Vol. 19, No. 2, Winter.
Culture (Camera) Commerce: The Gift Shop exhibition at the Winnipeg Art Gallery (revised),Visual Resources,
An International Journal of Documentation Vol. XVIII.
The Mirror Stage of the Public Museum, Lost in the Archives, Alphabet City: Culture, Theory, Politics, No. 8 Fall.
2001 Daniel and Geo Fuchs, Conserving, review, Canadian Art Vol. 18, No. 1.
2000 Culture, Commerce and the Camera: Looking at the Gift Shop File, catalogue essay, Gift Shop, Winnipeg Art Gallery,
October, 2000.
1999 Arnaud Maggs, C Magazine.
Floating in Air, catalogue essay, Le Mois de la Photo catalogue.
Recollecting Roger Fenton, feature essay, Blackflash.
Fact, Fiction and the Museum, article, National Post, May 29.
1997 Camera Obscured, exhibition introduction, GREAT, publication of the Photographer's Gallery, London, England, May .
1995 Inferno: Surveyed, publication for exhibition, co-written with Carol Pickering,
Kil-Young Yoo, Marsha Wineman, and Ian Smith-Rubenzahl, Toronto Photographers Workshop,
Toronto, Canada, June.
1994 Case Histories: Photography and the Museum, essay for exhibition 'Bodies of Photographs', Toronto Photographers Workshop,
Toronto, Canada, January.
1992 Latvian Photographers in the Age of Glasnost, Blackflash, Vol. 10, No. 2, Summer.
1990 L'Année de l'Est, Views, Vol.7, No.3, September.
Pictures of Exhibitions, Views, Vol.7, No.1, February

TEACHING EXPERIENCE

1991-present
Ontario College of Art and Design, Toronto (currently Associate Professor at this institution)
Ryerson Polytechnical University, Toronto
Sheridan College, Oakville
Nova Scotia College of Art and Design, Halifax

please get in touch for further details on specific teaching experience

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last revised Feb. 2006