PUBLISHED WRITING |
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“Safety Code 6”, essay and photography portfolio, Spacing (Fall 2016) |
“Concrete Remains”, essay and photography portfolio, in collaboration w/Blake Fitzpatrick, Prefix Photo 30 (Fall 2014) |
“Photography Changes Everything”, book review, Prefix Photo 27, (Spring 2013, Vol. 14, No. 1) |
| “Vera Greenwood: The Whole Enchilada”, book review, Magenta Foundation (online), (Fall/Winter 2012, Vol. 4, No. 1) |
| "Angela Grauerholz", book review, Prefix Photo 21, Fall 2010 |
| "Unsettled Tensions", essay, Questioning History: Imagining the Past in Contemporary Art, Nai Publishers, Rotterdam, 2008 |
“Cheryl Sourkes”, exhibition review, Canadian Art, Fall 2007 Vol.24, No. 3 |
| “Image and Imagination”, book review, The University of Toronto Quarterly 76:1 (Winter 2006/2007) |
“The Metropolitan Museum of Edward Milla”, essay/page work, Image and Inscription, Gallery 44/YYZ, Fall 2005 |
“The Atlas Group and Walid Raad”, exhibition review, CV (ciel variable) 66, May 2005 |
“The Damage Done”, curatorial essay, Prefix Photo 11, May 2005 |
| “Teach, Learn and Warn”, article, Sketch, Fall 2004 |
| “Guarded Views”, review essay, Fuse, Vol. 27, No. 2, 2004 |
“Attention: Mr. Ingelwick”, essay, Descant 124, Spring 2004, Vol. 35, No. 1 |
“The Desirability of Irrelevant Accessories”, cat. essay, Remi Pierlot, Ontario College of Art & Design, Toronto, 2004 |
“The Museum’s Shadow”, essay, The Photograph and the Document, Praemium Erasmianum Foundation, Holland, 2003 |
| “The Archaeology of Geology”, artist”s project, Canadian Art, Vol. 19, No. 2, Winter 2002 |
“Culture (Camera) Commerce: The Gift Shop exhibition at the Winnipeg Art Gallery, essay, Visual Resources, An International Journal of Documentation , United States, Vol. XVIII, 2002. pp. 127-143. |
| “The Mirror Stage of the Public Museum”, essay, Lost in the Archives, Alphabet City: Culture, Theory, Politics , No. 8 Fall 2002 |
| “Deviant Practices/Hybrid Practices”, essay, Mix, Vol. 28, No. 1, Summer 2002 |
| “Candida Höfer at the Power Plant”, review , Canadian Art, Vol. 18, No. 3, 2001 |
| “Conserving”, review , Canadian Art, Vol. 17, No. 5, 2001 |
| “Culture, Commerce and the Camera: Looking at the Gift Shop File", catalogue essay, Winnipeg Art Gallery, October, 2000 |
| “Arnaud Maggs,” review, C, No. 63, September/November 1999 |
| “Floating in Air,” catalogue essay, Le Mois de la Photo à Montréal 1999 |
| “Recollecting Roger Fenton,” feature essay, Blackflash, Vol.17 (1), 1999 |
| “Fact, Fiction and the Museum,” article, National Post, May 29, 1999 |
| “Camera Obscured,” exhibition introduction, GREAT, Photographer’s Gallery, London, England, May 1997 |
| “Inferno: Surveyed,” publication for exhibition, co-written with Carol Pickering, Kil-Young Yoo, Marsha Wineman, and Ian Smith-Rubenzahl for the Toronto Photographers Workshop, Toronto, Canada, June, 1995 |
| “Case Histories: Photography and the Museum,” essay for exhibition Bodies of Photographs, January 1994 |
| “Latvian Photographers in the Age of Glasnost,” Blackflash, Vol. 10 (2) Summer, 1992 |
| “L'Année de l'Est,” Views, Vol.7 (3), September, 1990 |
| “Pictures of Exhibitions,” Views, Vol.7 (1), February, 1990 |
| “Ronald Silver's Divergent Path,” Views, Vol.6 (4), November, 1989 |
| “Tentative Spaces on a Postmodern Stage,” Views, Vol.6 (2), May, 1989 |
| “Memorizing Photographs,” Views, Vol.5 (4), November, 1988 |
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