| SELECTED REVIEWS / BIBLIOGRAPHY (from 1996) | |
2018 | 
    Jill Glessing, “Blake Fitzpatrick & Vid Ingelevics/Freedom Rocks: the Everyday Life of the Berlin Wall." Ciel Variable 109, June | 
| 2017 | Brainard Carey, interview, Praxis Interview Magazine-WYBCX Yale Radio, Aug. 14 | 
| 2016 | Chris Selley, “A time when children roamed free”, National Post, October 1 | 
| Donald F. Mulcahy, “Attention: Mr. Inglewick”, Coming Here, Being Here: A Canadian Migration Anthology, Guernica Editions | |
| 2015 | Shawna Wagman, “Chasing pieces of the Berlin Wall”, University Affairs, November 25 (online & print in January 2016 issue) | 
| 2014 | Harry Sullivan, “University prof visits Nova Scotia as part of Wall quest”, Nova News, Aug. 6 | 
| 2013 | Andrea Carson Baker, “Archival Dialogues”, Ciel Variable, CV94, Spring-Summer 2013 | 
| Max Vickers, “Wundercamera”, Photomonitor, (on-line) posted Oct. 19, 2013 | |
| 2012 | Andrea Carson Baker, “Archival Dialogues at the Ryerson Image Centre”, View on Canadian Art (on-line), posted Dec. 18, 2012 | 
| David Dick-Agnew, “Breath-taking: Constructed Landscapes”, Azure (on-line), posted Nov. 28, 2012 | |
| “Lyn Carter, Vid Ingelevics Featured at Newly Revamped Peel Art Gallery, Museum and Archives”, Canadian Art (on-line), posted October 30, 2012 | |
David Balzer, “Ryerson Image Center Sheds Light on Photography’s Role”, Canadian Art (on-line), posted September 26, 2012  | 
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Fran Schechter, “Black Star Shines”, NOW, October 11-17, 2012  | 
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| 2011 | Kyle Chayka, “Rethinking History's Traces”, Hyperallergic: Sensitive to Art & its Discontents, blog, posted Jan 12 2011 <http://hyperallergic.com/16527/public-journal/> | 
| 2010 | Roger Simon, "Artwork, Aesthetics and Memorialization," Public 42, Fall 2010 | 
| 2009 | Linda Maehans, "hunters and gatherers", Source, Thunder Bay | 
| 2008 | Gary Michael Dault, "It's Good Enough Here," Border Crossings No. 105 | 
| Michael H. Hodges, "Exhibition Explores Blended Indentities in a Globalized World," Detroit News, Apr. 2 | |
| "Woodpiles", included in book, Fuel, produced by Alphabet City & MIT Press | |
| 2007 | Peter Goddard, "Ontario Archives: yours to discover," Toronto Star, Oct. 6 | 
Peter Goddard, “The renaissance of window shopping,” Toronto Star, Jan. 11  | 
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| 2006 | Gary Michael Dault, “Vid Ingelevics at the Convenience Gallery,” Globe & Mail, Dec. 30 | 
| Gary Michael Dault, “Parks & Culture at Akau Inc.”, Globe & Mail, July 1 | |
| David Leblanc, The Architourist, “Collecting for the Future”, Globe & Mail, April 12 | |
Gary Michael Dault, “So many platforms, so little meaning”, Globe & Mail, Feb. 25  | 
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| 2005 | Ulrich Clewing, “Rückruf der Wildnis”, Der Tagesspiegel, Berlin, Feb. 3 | 
| 2004 | Gary Michael Dault, “Picking up a few mega-souvenirs of tyranny”, Globe & Mail, Oct. 2 | 
Robert Fulford, “Where you least expect them”, National Post, May 18  | 
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Deborah Root , “Archaeologies of the Modern”, Contact Photography Festival catalogue  | 
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R. M. Vaughan, “How to avoid Contact over-exposure”, Globe & Mail, May 1  | 
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| 2003 | Thomas Hirschmann, Dig/Dug exhibition, critic’s picks, NOW Summer Guide  | 
  
Andrea Raymond, “Dig/Dug artists link community with BJCC”, North York Mirror, Aug. 24  | 
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Penny Cousineau-Levine, Faking Death, McGill-Queen’s University Press  | 
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Peter Goddard, “Vid Ingelevics has colourful eye for archival photography”, Toronto Star, March 8  | 
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Thomas Hirschmann, “Code Ready”, review, Now, Toronto, Issue 1102, Vol. 22, No. 26  | 
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Lisanne Nadeau, “Codicologie(s)”, publication essay, Gallery 44, Toronto  | 
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| 2002 | Marie-Ève Charron, “Des révélations équivoques”, Le Devoir, Montreal, Oct. 19-20  | 
  
| Elizabeth Legge,” Between art and Art”, essay, CV Photo 59 | |
| 2001 | Gary Michael Dault, Expositions, review, CV Photo 55  | 
  
David Cantin, “Capter l’attention’, Le Devoir, Montreal, Oct. 23  | 
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Dany Quine, “Double nature de la photographie”, Le Soleil, Québec, Oct. 13  | 
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| Gary Michael Dault, “Snapshots of culture and history”, Globe and Mail, Toronto, June 30 | |
Andy Fabo, “Unravelling the grid/ Substitute City at the Power Plant”, C magazine, #70, Summer 2001  | 
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Peter Goddard, “Pictures as history”, Toronto Star, June 14  | 
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Lisa Rochon, “The good, the bad and the ugly”, Globe and Mail, April 4  | 
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John Sewell, “Is Toronto burning?”, eye, April 4  | 
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| 2000 | Peter Tiefenbach, The Arts Today, interview, CBC Radio One, Dec. 12 | 
Jeff Rosnick, “Ornithologies”, View, Hamilton, Nov. 16-22  | 
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Sigrid Dahle, “Exhibitions deliver new perspectives on photos, museums”, Winnipeg Free Press, Wpg., Oct. 28  | 
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Gary Michael Dault, 'Ingelevics camera takes it to the street', Globe and Mail, Toronto, August 5  | 
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Bernard LaMarche, “Le Musée defié”, Le Devoir, Montreal, July 2  | 
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Bronwyn Chester, "Redpath is perfect venue for quirky show", The Gazette, Montreal, June 17  | 
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Bronwyn Chester, “Museums under the spotlight”, McGill Reporter, Vol. 32, No. 17  | 
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| Frits Gierstberg, "Positions, Attitudes, Actions", catalogue essay, Foto Biënnale Rotterdam 2000 | |
| A. D. Coleman, "Letter from Toronto/New York No. 86", photo metro, Vol.18, No. 157 | |
| Robert Graham, "Le Mois de la Photo à Montréal 1999", Muse, Vol. XVII, No. 4 | |
| 1999 | Molly Amoli K. Shinhat, "A matter of fact", Ottawa X Press,, Ottawa, Sept. 30 | 
| Stéphane Baillargeon, “Le Musée des Musées”, Le Devoir, Montreal, Sept. 19 | |
| Jenny Green, "Contemporary Documentary", CBO Morning, CBO-FM, Ottawa, Sept. 24 | |
Andrea Kunard, "Just the Facts? Contemporary Documentary Approaches", catalogue essay, Le Mois de la Photo à Montréal, 1999  | 
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| Dot Tuer , “The Camera and the Museum”, Canadian Art, Vol. 16, (1) | |
| Lisa Mark, “Recurring Images: Historical Photographs as Contemporary Art,” C’, No. 61 | |
| Michael Becker, “Museum cameras unveil”, North Shore News, Jan. 11 | |
Mark Smith, “Truth on a pedestal”, Vancouver Sun (Queue), Jan. 7-14  | 
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Paul Grant, Arts Report, Radio 2, CBC, Vancouver, Jan 19  | 
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| "Parting Shot", Muse (Canadian Museums Association), Vol.XVII, No. 1 | |
| Kristian F. Kofoed, "Brushes with the Border", Seattle Weekly, Feb. 11-17 | |
| 1998 | Gregory Klages, CBC Radio Canada | 
| Blake Gopnick , “Snapshots pin curators up on the wall,” Globe and Mail, Nov. 5 | |
| Deirdre Hannah, “Lost treasures lurk in museum archives,” Now Magazine, Nov. 5-11 | |
Georgina Born, “Public Museums, Museum Photography, and the Limits of Reflexivity,” The Journal of Material Culture, Vol. 3 (2), London, England  | 
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| Anna Rådström, “Fotograf samlade samlingarna”, Västerbottens-Kuriren, Sweden, April 8 | |
| Christopher Hume, “Archive exhibition of our bankrupt ‘burbs’ ”, Toronto Star, March 12 | |
| 1997 | Patrick Wright, Night Waves, Radio 3, BBC, London, England, May 1 | 
| Julian Fernandez, “Brief encounters,” British Journal of Photography, May 14 | |
| Russell Roberts,” In Visible Light”, catalogue essay, Museum of Modern Art, Oxford, England | |
| 1996 | John Bentley Mays, “Where do cybergazers meet? John Street”, Globe and Mail, Nov. 27 | 
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